Books with author Anthony Hopkins

“I wonder when in the world you’re going to do anything, Rudolf?” said my brother’s wife. “My dear Rose,” I answered, laying down my egg-spoon, “why in the world should I do anything? My position is a comfortable one. I have an income nearly sufficient for my wants (no one’s income is ever quite sufficient, you know), I enjoy an enviable social position: I am brother to Lord Burlesdon, and brother-in-law to that charming lady, his countess. Behold, it is enough!” “You are nine-and-twenty,” she observed, “and you’ve done nothing but—” “Knock about? It is true. Our family doesn’t need to do things.”

Sir Anthony Hope Hawkins (1863-1933) was an English novelist and playwright best known for The Prisoner of Zenda. The Great Miss Driver is a departure from Hope's usual adventure stories, The New York Times called it a "society novel" and said that "the fighting is all done in a drawing room, and the chief character is a woman" who contends manfully for her objective.

Neither life nor the lawn-tennis club was so full at Natterley that the news of Harry Sterling's return had not some importance. He came back, moreover, to assume a position very different from his old one. He had left Harrow now, departing in the sweet aroma of a long score against Eton at Lord's, and was to go up to Oxford in October. Now between a schoolboy and a University man there is a gulf, indicated unmistakably by the cigarette which adorned Harry's mouth as he walked down the street with a newly acquiescent father, and thoroughly realized by his old playmates. The young men greeted him as an equal, the boys grudgingly accepted his superiority, and the girls received him much as though they had never met him before in their lives and were pressingly in need of an introduction. These features of his reappearance amused Mrs. Mortimer; she recollected him as an untidy, shy, pretty boy; but mind, working on matter, had so transformed him that she was doubtful enough about him to ask her husband if that were really Harry Sterling.

A man who has lived in the world, marking how every act, although in itself perhaps light and insignificant, may become the source of consequences that spread far and wide, and flow for years or centuries, could scarcely feel secure in reckoning that with the death of the Duke of Strelsau and the restoration of King Rudolf to liberty and his throne, there would end, for good and all, the troubles born of Black Michael’s daring conspiracy. The stakes had been high, the struggle keen; the edge of passion had been sharpened, and the seeds of enmity sown. Yet Michael, having struck for the crown, had paid for the blow with his life: should there not then be an end? Michael was dead, the Princess her cousin’s wife, the story in safe keeping, and Mr. Rassendyll’s face seen no more in Ruritania. Should there not then be an end? So said I to my friend the Constable of Zenda, as we talked by the bedside of Marshal Strakencz. The old man, already nearing the death that soon after robbed us of his aid and counsel, bowed his head in assent: in the aged and ailing the love of peace breeds hope of it. But Colonel Sapt tugged at his gray moustache, and twisted his black cigar in his mouth, saying, “You’re very sanguine, friend Fritz. But is Rupert of Hentzau dead? I had not heard it.”

Sir Anthony Hope Hawkins, better known as Anthony Hope (9 February 1863 – 8 July 1933), was an English novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered predominantly for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance, works set in fictional European locales similar to the novels. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.